Sony Pictures Classics also remains dedicated to foreign cinema, releasing recent successes such as “Amour,” “A Separation,” and “The Raid: Redemption.” While The Weinstein Company continues to invest in foreign-language hits (“The Grandmaster,” “The Intouchables”), it is one of the very few companies that does so. We saw a reprise with these tactics recently with the French-produced ‘The Artist,’ but from 1987 to 2005, they had 26 or so $1 million-plus subtitled releases.” “The old Miramax was routinely driving foreign-language box office with unprecedented levels of marketing effort. “Consider the Miramax effect,” said Music Box Films’ Ed Arentz, who currently has Pawel Pawlikowski’s Polish-language “Ida” in release. audience.Ĭompanies that serve(d) as their champions have downsized, retrenched or disappeared. However, these don’t account for the biggest challenges to foreign-language films finding a U.S. marketplace have pushed many top-notch foreign-born directors (Alfonso Cuaron, Guillermo del Toro, Luc Besson) toward Hollywood and English-language filmmaking. As he notes, a number of the “French” films in the official selection for Cannes 2014 - such as Olivier Dahan’s “Grace of Monaco,” Olivier Assayas’ “Clouds of Sils Maria,” Michel Hazanavicius’s “The Search,” and Pascale Ferran’s “Bird People” - are partly or completely in the English language.Īnd the demands of the U.S. ticket sales in 2013, “I’m So Excited” earned just over $1 million.įoundas’ piece does highlight some key challenges to international cinema. (This doesn’t count films catering specifically to immigrant or diaspora populations, whether Spanish-language films for Hispanic Americans or Bollywood films for Indian-Americans.)Įven acclaimed foreign directors have seen a precipitous fall in 2006, Pedro Almodovar had his most successful release with “Volver,” which saw $13 million in U.S. box office in 2007, the take was $38 million. In 2013 the top five foreign-language releases earned collectively just $15 million at the U.S. According to data culled from, foreign-language box office has shown a steady decline.
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